PLYWOOD: Lurid Tales of Grains and Glues
The history and environmental impact of this ubiquitous
building material.
by Seth Zuckerman
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nyone who has ever used a pair of
disposable chopsticks understands the problem that plywood is designed to
address: when you pull the two sticks apart, the isthmus joining them breaks
with a satisfying snap. In general, all wood is like that much stronger
across its grain than parallel to it. Thin pieces are flexible and light,
but they can scarcely hold any weight.
The ancients knew this, too, and
developed a crude form of what we know as plywood. Their solution, dating
back to the tombs of second millennium B.C. Egyptian pharaohs, was to glue
thin slabs of wood together with their grain running perpendicular to each
other. The strength of one ply compensated for the weakness in the next.
Similar ventures are known from ancient Rome, China and 17th century France.
It wasn't until the Industrial Revolution
met the great forests of the Pacific Northwest, however, that plywood made
its mass-market debut. The prototype panels were trotted out for the 1905
World's Fair in Portland, produced one at a time, clamped with house jacks
and held together with animal glue which stank so bad that the workers had
to leave the mill frequently in search of fresh air. Since then, plywood
has become so widely used that in 1995 enough was produced worldwide to
cover a football field to a depth of eight miles. About two-thirds of that
is used in just three countries: the United States, China and Japan.
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How plywood is made
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The process of making plywood has
become ever more sophisticated. To start with, logs are cut to lengths of
eight-and-a-half feet, stripped of their bark and steamed to soften the
wood. Next, they are mounted on a lathe and spun at a few hundred revolutions
per minute. A sharp knife peels the spinning log into a single running strip
of veneer between one-tenth and one-quarter of an inch thick, depending
on the kind of plywood being made. The process is so quick that a medium-sized
log, some two feet in diameter, can be reduced to about 400 feet of tenth-inch
veneer in a matter of ten or fifteen seconds.
Because the log is sliced with a
knife, none of it is lost to sawdust, although some is wasted in the process
of reducing an irregularly shaped log to a true cylinder. Over time, systems
have improved to discard less and less of the center core at the end of
the process. Previously, veneer lathes would stop peeling when the remaining
core was just large enough to make a pair of two-by-fours or a fence post.
New technologies allow veneer-makers to peel logs down to a core barely
thicker than a broomstick.
Once veneers are made and trimmed
to standard lengths, they must be handled carefully so they don't tear.
The sheets are dried in a kiln, and some are then patched. Higher grades
of plywood must have all their knots cut out and plugged with any of the
standard-sized wood patches, such as the familiar football- or eye-shaped
repair.
The sheets of veneer are then laid
up in stacks and glued, with the better-looking veneers on the face and
back, and the unappealing, irregular or knottiest sheets in the center.
The glued sheets almost all made in the familiar four-by-eight-foot size
are then sandwiched for about five minutes in a hot press. Some final repairs
are made with resin, the panel is sanded, and it's ready for use.
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Scarcity of big trees
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The last twenty years have seen significant
changes in the raw materials used to manufacture softwood plywood. At the
outset, the western plywood industry relied heavily on large, flawless old-growth
Douglas fir logs. These trees yielded lots of near-perfect veneer, providing
panels unmarred by knots or patches. But as top-notch trees have become
scarcer, they are in greater demand for solid lumber that is clear of knots,
or as standing forests to provide habitat for the spotted owl, marbled murrelet
and coho salmon. The industry adjusted by retooling for smaller logs, and
customers adapted by reconciling themselves to knot repairs in their plywood.
Where softwood plywood was once made from six-foot-diameter logs, now it
comes primarily from logs that are at most two feet across.
At the same time, much of the U.S.
softwood plywood industry has shifted from the Pacific Northwest to the
South and Southeast, where pine plantations abound on private lands. These
small pines produce a lower quality panel than older trees, according to
forestry consultant Dobbin McNatt, who recently retired from a 33-year career
at the U.S. Forest Service Forest Products Laboratory in Madison, Wisconsin.
These southern pines are typically cut by the time they hit 30 years old,
and are made up in large part of "juvenile wood," he explains,
which is more prone to warping than older fibers. "I've seen it put
down as underlayment for a floor in real dry conditions in the winter and
then turn wavy in the summer," he says.
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The hamburger of panels: oriented strand board
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The wood products industry responded
in still another way to the declining supply of large logs. In the process,
they also dealt with the labor-intensive nature of conventional plywood
production. They developed a panel called "oriented strand board"
(OSB), made up of layers of wood chips about 3 or 4 inches long by 1 or
2 inches wide. Successive layers are arranged with the grain running perpendicular,
just like plywood veneers. Machines deposit these very uniform chips on
a form, add glue, and press a fluffy stack that might start out 6 or 8 inches
tall to a thickness of less than half an inch. OSB does for structural panels
what press logs do for firewood: provides a way to manufacture an absolutely
uniform product with lots of machinery and little hands-on labor. Where
a plywood mill might employ a couple of hundred people, there might be just
three or four on an OSB plant's shop floor. It also allows the industry
to make structural panels out of hitherto less-exploited species such as
aspen. These differences are reflected in the price, too: about half the
cost of comparable plywood products. As a result, OSB has grown from a relatively
small business in the early 1980s to nearly two-thirds the volume of the
plywood industry in 1996.
But OSB can't take the place of
plywood in all situations. Apart from aesthetic concerns, it can't tolerate
outdoor exposure the way plywood siding can. Louisiana-Pacific discovered
this in the early and mid-1990s when it marketed Inner Seal, a brand of
OSB siding. The resin-treated coating that was supposed to protect it from
the elements failed, and the panels began to crumble. L-P spent tens of
millions of dollars settling suits by homeowners whose siding disintegrated,
leading to the ouster of chairman and president Harry Merlo in 1995.
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Tropical plywood
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Probably the most celebrated plywood
cause has been the logging of rainforests in Southeast Asia particularly
Malaysia and Indonesia to create a product that is thrown away after a short
time. Lauan is a group of heavily used tropical tree species used to make
plywood. Lauan plywood is used extensively in Japan, both for concrete forms
and for cheap furniture, often discarded after a few years. It has also
been a favorite of Hollywood set builders, who used to go through a quarter
of a million sheets of lauan plywood each year. Some studios such as MCA/Universal
and Paramount have recently shifted to ecologically sounder substitutes;
others, such as Disney and Warner Brothers, have cut back significantly
on their use of lauan. Indonesia and Malaysia remain the second and fifth
largest makers of plywood in the world; Malaysia would place higher if the
logs it exports for plywood manufacture elsewhere were included.
In some parts of the tropics, such
as the Amazon, most logging is a by-product of other economic pressures
to clear land for ranching, or build mining roads. But in Southeast Asia,
logging is the main force driving the clearing of the rainforest and the
displacement of peoples such as the Penan of Sarawak in Malaysia.
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Sustainable substitutes
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The Rainforest Alliance operates
a certification program called Smart Wood to distinguish sustainably harvested
forest products which originate from temperate as well as tropical regions.
Certifiers consider the entire management system of a forest in deciding
whether to award their stamp of approval, from logging techniques to fair
labor practices.
Smart Wood recognizes at least two
plywood suppliers. Plywood and Lumber Sales in Emeryville, California (510/547-7257)
offers top-grade cherry and red oak panels, in sustainably harvested veneer
glued onto a core made of North Dakota wheat straw. These panels will sell
to cabinetmakers for about $130 or so, compared with the $85 for a comparable
run-of-the-mill panel. Wisconsin's Marion Plywood Corporation (715/754-5231)
offers plywood made from the certified Menominee Tribal Enterprises hard
maple, yellow birch and red oak.
A variety of panels made from post-consumer
waste is available. Homasote is made from discarded paper, which is pulped
and then formed into boards. Homasote, which has been in use since 1916,
comes in styles suitable for roof decking, subflooring, sheathing and interior
design. Unicore is a similar product, which Universal Studios has just adopted
for its set construction. 
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Reprinted from the The Liberty Tree Alliance Website, www.libertytree.org. Liberty tree is a national association of writers, scientists, and activists concerned with the preservation of the natural world. Liberty Tree Alliance, 1140 Broadway, Suite 1205, New York, NY, 10001; (212) 683-1226; email: libertytree igc.org |